Showing posts with label camera. Show all posts
Showing posts with label camera. Show all posts

Friday, April 12, 2013

Casting Brief Q6: Casting Requirements?

For the entire list of casting questions go back to



Question 6: Who will take care of the requirements of the audition?

This question is directed form the casting director to the producer. So what are these requirements that I am talking about

1. Space to audition.
2. Camera, Lights and Power Supply 
3. Backdrop (if needed)
4. Props (if needed)
5. Any other special requirement 
6. Stationary
7. Conveyance and food
8. Phone / Net Bill





Now while most casting directors charge a fee and rest at actual's there are some production houses that like to make deals with casting directors (rarely happens), the deal being that the production house would pay just one figure and the casting director would do the rest all-inclusive. Why would any casting director take up the latter proposition it would be if they think that they could make a little more by making better deals with suppliers or if they themselves own either equipment or space thus saving on rent, also if they are confident of wrapping up the casting within the time so that it does not go overboard. Why would a production house take this route its simple, one bill, one figure this cannot go over budget since the figure gets decided upfront. This route is very risky for the casting director since if any variable is to change they might just lose more money rather than saving.

This question has to be asked as the casting directors fee is determined basis on these variables. There are mostly in between deals that are made, where the production house would provide/pay for certain things and rest has to be taken care by the casting director. Let's talk about each requirement in detail to understand this.

1. Space to audition - if a space is hired for audition rent has to be paid for using that space. In cases where casting has to happen for only a few days, renting a space might be feasible, also some audition spaces these days provide with some of the other requirements like camera, lights, and backdrop along with a assistant, making it easier on everyone. In cases where casting could go on for a long time (weeks to months) like in features, or in case the production house wants to save money on rent or time* is a huge factor, in such cases a space is provided by the production house which is usually a room in the office and sometimes even in the space just outside the office like in the compound or corridor. The minimum requirement of space for an audition should be so that the camera can capture the full length of the actor without having to tilt the camera and the area should have decent lighting and not too much outside noise. 
The number of people coming for audition also makes a difference to where the audition is held, if there a lot of people expected in a single day (like in advertising) then usually space is rented out unless the production house has sufficient space to keep people waiting and preparing for their parts. In case there are only a few people coming in, like only a select few have been called, like in the case of features or in the case its a call back then these do take place in the production house's office space.     


*Time, in this case, is the time after the audition is captured and for the video to be seen by the director, and if liked sent further for approval. Or if the cast is required urgently like for the next day's shoot.


2. Camera, Lights and Power Supply - in order to record an audition the casting director needs a camera, any camera of a decent resolution should work, earlier DV camera's were used, still gets used in some places but that has now been outdated since DV camera requires DV tapes which then have to be transferred to a digital format to view which involves both a lot of time and money. Some casting directors own a camera themselves and they charge rent for it or include this in their fees. Owing a camera is also a good thing for production houses who do a lot of work as this helps bring down the cost, it also helps at times when the actor can not make it to the audition room but can come to the office to give the audition (since the audition location might be far). It helps in cases of callbacks and smaller tests as well.
Lights are definitely required for auditions that are conducted in closed rooms, a couple of decent powered lights is the minimum requirement, these can be either softboxes or light bounced of thermocol, the basic idea always is to have the actor evenly lit from both side's i.e. no shadows mainly on the face. When auditions are conducted in office spaces its still ideal that the room has sufficient internal lighting or there is enough sunlight coming in. In case the audition is held in the corridor or in an outdoor space the person recording has to make sure that beyond light the sound of the actor is also picked up clearly by the camera.
Rented studios sometimes charge separately for power supply (rarely) usually its included in the cost provided the lights used are basic, which is why most current audition spaces provide these and include the cost in the rent. In case of areas provided by the production house, they need to make sure that there are sufficient outlets for power and extension cords for the same.     

3. Backdrop - this is required if space in which the audition is being held is too noisy** or is too cluttered, like when auditions happen in offices, an ideal space would have a single coloured clear back wall or the use of a backdrop is required, this helps in keeping the viewer's attention only the actor giving the audition and not get distracted by the space around it. Not always can one have a backdrop to audition in such cases a clear back wall with almost nothing on or around it is an ideal space. If a backdrop is being rented out then it could be either in a light colour, white or offwhite are usually used some cases a completely dark backdrop also gets used like grey in those cases it makes the actor stand out from the space, provided that they are in bright clothes and have been lit well. 
A backdrop is a clear piece of paper or cloth with no print on it, same as the ones used in photo studios but large enough to cover the actor's entire action, sometimes cover even 3 people in the same scene. It should be ideally large enough so that the camera captures only the actor and nothing else around. Production houses that do casting quite often and don't have a clear wall usually keep these backdrop's which can be put up easily with the help of 2 stands.. even chroma cloth gets used at times


**noisy - too many things in the background like pictures on the wall, clock, table furniture etc..


4. Props (if needed) - in the scene to be auditioned there would be props that might be required, simple things like a cell phone, or a chair, table, etc can easily be arranged, but there are times when specific props are required, like a gun or a ball or a mask, etc these may have to be rented out or there has to be an agreement (the director should know about this advance) that the actor will make do of what even is available like use a stick instead of a gun. Depending on the rent of the prop, the producer would decide if it's required or not to hire that prop but there are cases when even expensive props have to be hired like in case of testing if the actor can act while riding a bike or driving a car or is the actor comfortable to act underwater, etc, in such cases it makes sense for the producer to spend the money on these tests rather than have the shoot stuck because the actor can not ride a bike.

5. Any other special requirement  - any other special requirement is similar to that of special props, like maybe the actor has to talk while eating or the actor has to do something unique like a summersault or some specific stunt then depending on what is required to that situation. If there is a piece of costume that is required for the test like a hat or a specific kind spec frame etc.

6. Stationary - this includes a slate and a marker for the actor to hold with his details at the start of the audition, some casting directors still use paper here and that is a pure waste of resources. Beyond this, there is the script printouts, paper/book for making a cue sheet, tapes if a dv camera is being used or Digital cards, transfer cables, CD's,  DVD's or any other storage and transfer device, most of the time these are included in the casting directors fees as these are usually really small figures. If they have to be charged it is at actuals against a bill that the casting director should collect while buying the same.

7. Conveyance and food - if the casting is happing for a few days then this figure is small and is easily taken care of but in the case where casting is over a period of time then most of the time the producer sets a limit to how much of money should be spent each day on food and travel of course bills would have to be produced for calming of the food at least and accounts would have to be settled from time to time. Conveyance is for the dropping of casting material to the production office or director's house. 

8. Phone / Net Bill - here if it's a short casting then usually there is no charge that is passed on to the producer but in the case where casting has to happen over a period of time then either the producer gives the casting director a phone to use for all official calls or takes care of the bill at the end of each month especially if the casting is happing in another city or country. 
With social media catching on and with the latest apps even these figures are getting to an ignorable amount, like most casting directors would post the requirement on a social media page, tagging a few people who they think need to come, also used is here are services like BBM or Whatsapp where a group is made over time and a single message gets delivered to all what the requirements for the audition are and people who think they suit the requirement go for the auditions.


So depending on who is paying for what finalises the casting directors fees, although the most common practice would be to charge a fee and the rest at actuals. It is also best that the casting director reads the script or the storyboard before meeting for the casting brief so that he knows what his requirements would be in advance.

 



For answer to the previous question see
Q5:- Budget?

Read on for the next question
Question 7: Is there a contract to be made?



For the entire list of casting questions go back to




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Wednesday, October 17, 2012

A robotic arm for slow motion photography

A robotic arm that gives precise movements coupled with slow motion, check out this web page

Slow Motion Meets Robtic Arm

more details on their web page,

The Marmalade

or check out what the camera can do on vimeo..

http://vimeo.com/33408157





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Monday, May 21, 2012

Newest Camera Device - Motion Control and Time Lapse Device

Newest Camera Device - Motion Control and Time Lapse Device


Just came across this and all digital filmmakers should have a look at this, I think this would be a very cheap option for those who want to do Motion Control. Some of the advantages of this are, its small, easy to set up and is cheap. For more details click on the links below.. While most of what these guys have experimented with are time lapse, I am thinking special effects... cheek it out...

Genie Motion Control Time Lapse Device

Follow them on
Facebook - SYRP
Webpage - Genie SYRP
Vimeo - Vimeo SYRP


Also check out the competition, though these guys seem a bit expensive but have more options on equipment.

Ditogear News Going Black


Follow them on
Facebook - Dito Gear





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Tuesday, November 1, 2011

Shoot Now Focus Later

Check this out, Click now and focus later

Crazy 4D camera Lytro Sale

also their earlier post on Lytro

Camera that's refocusable post

See some of the images posted on how it works and the home webpage for more information.

Lytro Home Page






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Tuesday, May 31, 2011

Panasonic Dimensions 3D film competition

Panasonic Dimensions 3D film competition:-


A 3D competition put together by Panasonic where 7 film schools across India participated in a short duration movie/documentary making contest in 3D, a workshop at Upper Deck @ Lonavala where Barry Braverman (DOP / 3D expert) took everyone through the basics of 3D in quite a depth at the same time introducing Panasonic's AG-3DA1 camera.

Upper Deck - Lonavala

You can check this page for the specs and some basics of the camera and 3D:-
http://pro-av.panasonic.net/en/3d/ag-3da1/index.html


Film schools that participated in this competition were
LV Prasad - Chennai

Chennai Film Industrial School (CFIS) - Chennai

Asian Academy of Film and Television (AAFT) - Delhi

NDTVmi - Delhi

Film and Television Institute of India (FTII) - Pune

Symbiosis Institute of Media and Communication (SIMC) - Pune

Satyajit Ray Film and Television Institute - Kolkata




The entire gang.


In the workshop, Barry not only covered 3D but also looked into storytelling and how one could use 3D to enhance the story by using it. The limitations and the so-called rules or basic principals one could say were also shared during the course of this workshop.  



A bunch of professionals from the industry including me, were asked to act as mentors or creative producers, our responsibility was to make sure that while creativity was given a free hand there were no basics that were overlooked and a check on budgets of course. Nikhil Gonsalves was the chief producer and all teams had to report to him.

The mentors along with Barry and Nikhil.

The fields from which each mentor come are as follows:-
Satyanshu Singh - Scriptwriter
Arjun Venkatesh - Cinematographer
Rohan Talwalkar - Assistant Director
Augustine Fernandes (Auggie) - Director. 
Chirag Patel - Cinematographer / Photographer
Tunali Mukherjee - Photographer / Writer
Kumar Devanshu - Scriptwriter


Over the 3 days, the teams were given a chance to use 3D cameras, so that technical questions mainly because of the medium could be sorted, also limits of the camera and medium were figured. Each team had to work on stories which they had to pitch and only after all the producers were happy were the teams given a green signal for that story to be their 3D film which they would work on following the workshop. While pitching each team had to have back up ideas in case the one pitched failed to make the cut, also they had to come up with a Title, log line (story in one line or something that is memorable from the film), and a poster for the pitch. (This is something that a few directors go through when they try to sell their script to producers or financiers)





Post the workshop teams returned to their colleges and work on their storyboards, location recce, casting, costumes and mainly budgeting, dates were fixed post-budget approvals and this followed by prep and shoot. All teams were given sufficient time and were called in batches for their respective edits at Qlabs in Mumbai, the process involved a basic 2D edit a 3D conform, DI while dubs and sound mix on 5.1 Dolby. The finished films were burnt onto blu ray and were ready for judging.

The judging was done by none other than
Rajkumar Hirani 
Nikhil Advani  and
Karan Johar

So while the winning team got to fly to LA to visit the Panasonic Studios the rest of us took back the fact that we were among the rare few who got to learn and work in a medium that is still in the developing stage. We also got to take back memories along with a whole bunch of new friends from across the country.

You can watch the episodes that were covered by NDTV and which were aired in the links below
(Don't know how long these links will last though.)

Episode 1

Episode 2

Episode 3

Final Episode







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Monday, July 12, 2010

Digital v/s Film

I came across an interesting site so I thought I would share it with people who are interested in the camera field.

The test results make good learning not just for DP's but for others as well as it might help them chooses the course that wants to take their projects in. There are tests done and results compared between film and the current digital cameras.

Following is the link to the site where there are 3 episodes of the tests done in 2010 -

http://www.zacuto.com/shootout

Enjoy.





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