Filmmakers Talk 19 - Voice Over Instructions

If you have heard any funny comments in the studio post it in the comments below and it might just make the Film-Makers Talk List.

Previous Talks:

Filmmakers Talk-18: Life of a freelancer

Filmmakers Talk-17: Sound PJ.

I am coming back home

Watch it on youtube if possible.

A song that was sung by me many years ago for a commercial but was not used back then. Finally added visuals shot by me over a period of time to it and made send to release it the day I moved back home after being out of the country for close to 5 years

CREDITS:
Music Composer: Rupert
Sound Engineer: Micu
Singer: Auggie

Teaser for Cadillac ATS

Watch in full screen.

Another challenge given to me earlier this year, Cadillac ATS was launching a new model and of course the teaser had to be out before the actual campaign was shot and delivered, so after a long chat with the agency we discussed to use the previous years footage, the givens were we cant show too much of the car since the model has changed and it says coming soon, it had to showcase from last years campaign the different locations that the car was shot at, also the different weather conditions basically everything from the challenges that were shot in the previous years, also had to include the human element, scale and production scale, and most importantly it will be only 15 sec long. Another problem faced was that all the earlier footage was shot in different formats so had to try and bind that in as well. The result is what you see above. Of course the last image of the car is the final car which is just a still image tracked on with the earlier shot car... let me know what you guys think..





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Best compliment received from the client on Chevrolet Trax

One of the best compliments I have received from the client on this..

"What we require is the edit - A version, but after we saw this edit, we will go with this version" 

So earlier this year I was given this promo to cut, the brief given was to keep a liner story (a sort of cut down from the TVC) which I did make, on seeing the result I was not very kicked by it and it did not give me a feeling of a video that people would want to watch at a Autoshow.. So I sat with the editor and redid this edit.

The agency was a bit unsure of showing this version at first, since it was not what the client wanted but after a few viewings and a bit of convincing them that there is no harm in showing both versions.. they agreed to present both.

We presented both versions to the client, the first one edit - A, had everything from the brief and then we presented this version, all the clients present in the room had a long silence after they watched it and a little bit of discussion followed as to the positives and negatives of what they saw.. they ended with  "What we require is the edit - A version, but after we saw this edit, we will go with this version" 

I think that was one of the best compliments that I have received from the client, goes to show sometimes you just have to follow your gut and do it even though its not in the brief..

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The story behind GEM Hospital's AD Series

The story behind GEM Hospital - a series of 4 commercials made in very very low budget.

One directors illness is another directors film.

One evening at 5 pm I get a call from a producer asking me what I was doing the next day,
"Free, but why?" I asked,
"Can you direct some AD films tomorrow?" he went on
Shocked for moment then all the questions flowed "What, Tom? Where? How?"

So the director who was to direct these AD's fell ill and the location, actors, DOP etc were all booked and advances paid in some cases would all be lost, so I got lucky. (In a very low budget film thats like all money spent) I asked for the scripts which was promptly emailed across to me and I read them, there was no treatment note or references, or any homework done by the previous director or if done were not shared and by this time it was 6 pm, with all the chat over the phone and the booking of tickets I was off to the Mumbai airport by 7pm for a 8:15 pm flight, still talking to the producer on route,  passing on a few instructions of things that could be done and with questions still flowing I was off to Chennai.

In all the confusion of trying to answer my questions, booking my tickets and making sure that I got to the airport on time the producer missed his flight, he was coming from Bangalore, luckily since the distance is not too much he caught a night bus to reach early in the morning, so much for our plans of meeting late in the night to discuss details. At least I got to meet the DOP and discuss with him the way he was looking at these films, I was still trying to get all the films clearly into my head to see which way I could treat these films the best.

At 6 am I finally met the producer, we had a short discussion where I learnt that the client was a friend of the producer and on his request was ready to invest a tiny sum to make a few commercials. We reached the location which I was having a look at for the first time, followed by the actors, briefed them along with makeup and choose the costumes (which were self owned options carried) Then along with the DOP made a shoot plan and and the rest is there for you to see.

4 commercials all shot in one day with a turnaround for shoot less than 12 hours (at least for me) These are my showreel versions, the client versions ran in theatres and a few cable channels in the south region of India. Do let me know what you think of them.

"Missed Call"

"Treadmill"

"Sweet Tooth"

GEM Hospital Sound Sleep*

*For some reason the last video has some glitches post upload in youtube, tried various exports so click on the link above to see in Vimeo.

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Filmmakers Talk #5 Dedicated to Clients

Post your funny comments that you may have come across and it just might make it to the Film-Makers Talk List

Some past Talks:

FT#4 - Agency to a young director

FT#3 - Editor

*This is a work of fiction. Names, characters, quotes, places and incidents mentioned, either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, from the film industry or outside the film industry is entirely coincidental.

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Filmmakers Talk #3 - The Editor

If you have never done "post-production" you would not have heard this...

Post your funny comments that you may have come across and it just might make it to the Film-Makers Talk List

Some past Talks:

FT#2 - Director

FT#1 - Producer

*This is a work of fiction. Names, characters, quotes, places and incidents mentioned, either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, from the film industry or outside the film industry is entirely coincidental.




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Casting Brief Q7: Contract?

For the entire list of casting questions go back to

Casting Brief

Question 7: Contract?

A contract is made between either the producer (production house) and the actor or sometimes directly with the brand, like in the case of commercials.

In features, a contract is usually made for almost everyone working on it. In the case of actors, all the cast who have to give more than a few days to the film have to sign contracts. Some of the basic things that a contract usually contains are,
a) The total amount that the producer and the actor agreed to for that particular project.
b) The time required from the actor.. i.e. no of days or months or sometimes even the exact dates that are required, not just for the shoot but for dubs as well.
c) The timelines and distribution to when this would be paid,
(eg- 10% advance on signing + 50% on completion of shoot + 40% on completion of dubs is one version, other is a fixed sum at the end of every month. The break is what is best suited to both parties)
d) Participation of the actor in promotional activities before the release, this also could be in terms of no of days of appearance or get even more specific like 10 tv shows 3 radio, etc..

In most cases there are no contracts made for actors who are cast for a day's shoot and for background artists, however, there could be a one-page agrement with these actors and for background artists, the contract is usually made with the coordinator.

In the case of commercials, the actor has to reveal at the time of casting if they are or have been part of competitive brands irrespective of contracts. Usually, if the actor has had a lead role and face has clearly been seen on a major brand like a cola drink the actor cannot act for its competition for around 2 years (even if no contract is made as competition won't touch the actor), it is therefore also necessary for the casting director to make sure that this is followed as this could land up everyone in a soup. Even when the contract is over it is best to mention at the time of audition that the actor had a contract with a particular brand that ended on so and so date. Contracts in commercials range from
a) A simple agreement to endorse the brand and not participate in the competition for 'X' time period. to
b) A contract that signs the person as a brand ambassador which goes beyond just shooting a commercial but print, radio and presence at live event's, etc..

TIP to all:
a) Before signing any contract it is best to read all the fine print on it as that might just lead to bigger problems later.
b) Be aware of all that is required from your end to fulfill the contract
c) Also, keep an eye for the clauses that can stop your payment or working on other similar materials.
d) If your confused about some clause get clarification not only from the concerned party but also from a lawyer if need be. OR lookup online to hunt for similar agreements and see what they contain.




For the answer to the previous question see
Q6 - Casting Requirements?

Read on for the next question
Question 8: Which competitive brands worked on by the actor are to be kept in mind?

For the entire list of casting questions go back to

Casting Brief

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Casting Brief Q6: Casting Requirements?

For the entire list of casting questions go back to

Casting Brief

Question 6: Who will take care of the requirements of the audition?

This question is directed form the casting director to the producer. So what are these requirements that I am talking about

1. Space to audition.
2. Camera, Lights and Power Supply 
3. Backdrop (if needed)
4. Props (if needed)
5. Any other special requirement 
6. Stationary
7. Conveyance and food
8. Phone / Net Bill

Now while most casting directors charge a fee and rest at actual's there are some production houses that like to make deals with casting directors (rarely happens), the deal being that the production house would pay just one figure and the casting director would do the rest all-inclusive. Why would any casting director take up the latter proposition it would be if they think that they could make a little more by making better deals with suppliers or if they themselves own either equipment or space thus saving on rent, also if they are confident of wrapping up the casting within the time so that it does not go overboard. Why would a production house take this route its simple, one bill, one figure this cannot go over budget since the figure gets decided upfront. This route is very risky for the casting director since if any variable is to change they might just lose more money rather than saving.

This question has to be asked as the casting directors fee is determined basis on these variables. There are mostly in between deals that are made, where the production house would provide/pay for certain things and rest has to be taken care by the casting director. Let's talk about each requirement in detail to understand this.

1. Space to audition - if a space is hired for audition rent has to be paid for using that space. In cases where casting has to happen for only a few days, renting a space might be feasible, also some audition spaces these days provide with some of the other requirements like camera, lights, and backdrop along with a assistant, making it easier on everyone. In cases where casting could go on for a long time (weeks to months) like in features, or in case the production house wants to save money on rent or time* is a huge factor, in such cases a space is provided by the production house which is usually a room in the office and sometimes even in the space just outside the office like in the compound or corridor. The minimum requirement of space for an audition should be so that the camera can capture the full length of the actor without having to tilt the camera and the area should have decent lighting and not too much outside noise. 
The number of people coming for audition also makes a difference to where the audition is held, if there a lot of people expected in a single day (like in advertising) then usually space is rented out unless the production house has sufficient space to keep people waiting and preparing for their parts. In case there are only a few people coming in, like only a select few have been called, like in the case of features or in the case its a call back then these do take place in the production house's office space.     


*Time, in this case, is the time after the audition is captured and for the video to be seen by the director, and if liked sent further for approval. Or if the cast is required urgently like for the next day's shoot.

2. Camera, Lights and Power Supply - in order to record an audition the casting director needs a camera, any camera of a decent resolution should work, earlier DV camera's were used, still gets used in some places but that has now been outdated since DV camera requires DV tapes which then have to be transferred to a digital format to view which involves both a lot of time and money. Some casting directors own a camera themselves and they charge rent for it or include this in their fees. Owing a camera is also a good thing for production houses who do a lot of work as this helps bring down the cost, it also helps at times when the actor can not make it to the audition room but can come to the office to give the audition (since the audition location might be far). It helps in cases of callbacks and smaller tests as well.
Lights are definitely required for auditions that are conducted in closed rooms, a couple of decent powered lights is the minimum requirement, these can be either softboxes or light bounced of thermocol, the basic idea always is to have the actor evenly lit from both side's i.e. no shadows mainly on the face. When auditions are conducted in office spaces its still ideal that the room has sufficient internal lighting or there is enough sunlight coming in. In case the audition is held in the corridor or in an outdoor space the person recording has to make sure that beyond light the sound of the actor is also picked up clearly by the camera.
Rented studios sometimes charge separately for power supply (rarely) usually its included in the cost provided the lights used are basic, which is why most current audition spaces provide these and include the cost in the rent. In case of areas provided by the production house, they need to make sure that there are sufficient outlets for power and extension cords for the same.     

3. Backdrop - this is required if space in which the audition is being held is too noisy** or is too cluttered, like when auditions happen in offices, an ideal space would have a single coloured clear back wall or the use of a backdrop is required, this helps in keeping the viewer's attention only the actor giving the audition and not get distracted by the space around it. Not always can one have a backdrop to audition in such cases a clear back wall with almost nothing on or around it is an ideal space. If a backdrop is being rented out then it could be either in a light colour, white or offwhite are usually used some cases a completely dark backdrop also gets used like grey in those cases it makes the actor stand out from the space, provided that they are in bright clothes and have been lit well. 
A backdrop is a clear piece of paper or cloth with no print on it, same as the ones used in photo studios but large enough to cover the actor's entire action, sometimes cover even 3 people in the same scene. It should be ideally large enough so that the camera captures only the actor and nothing else around. Production houses that do casting quite often and don't have a clear wall usually keep these backdrop's which can be put up easily with the help of 2 stands.. even chroma cloth gets used at times

**noisy - too many things in the background like pictures on the wall, clock, table furniture etc..

4. Props (if needed) - in the scene to be auditioned there would be props that might be required, simple things like a cell phone, or a chair, table, etc can easily be arranged, but there are times when specific props are required, like a gun or a ball or a mask, etc these may have to be rented out or there has to be an agreement (the director should know about this advance) that the actor will make do of what even is available like use a stick instead of a gun. Depending on the rent of the prop, the producer would decide if it's required or not to hire that prop but there are cases when even expensive props have to be hired like in case of testing if the actor can act while riding a bike or driving a car or is the actor comfortable to act underwater, etc, in such cases it makes sense for the producer to spend the money on these tests rather than have the shoot stuck because the actor can not ride a bike.

5. Any other special requirement  - any other special requirement is similar to that of special props, like maybe the actor has to talk while eating or the actor has to do something unique like a summersault or some specific stunt then depending on what is required to that situation. If there is a piece of costume that is required for the test like a hat or a specific kind spec frame etc.

6. Stationary - this includes a slate and a marker for the actor to hold with his details at the start of the audition, some casting directors still use paper here and that is a pure waste of resources. Beyond this, there is the script printouts, paper/book for making a cue sheet, tapes if a dv camera is being used or Digital cards, transfer cables, CD's,  DVD's or any other storage and transfer device, most of the time these are included in the casting directors fees as these are usually really small figures. If they have to be charged it is at actuals against a bill that the casting director should collect while buying the same.

7. Conveyance and food - if the casting is happing for a few days then this figure is small and is easily taken care of but in the case where casting is over a period of time then most of the time the producer sets a limit to how much of money should be spent each day on food and travel of course bills would have to be produced for calming of the food at least and accounts would have to be settled from time to time. Conveyance is for the dropping of casting material to the production office or director's house. 

8. Phone / Net Bill - here if it's a short casting then usually there is no charge that is passed on to the producer but in the case where casting has to happen over a period of time then either the producer gives the casting director a phone to use for all official calls or takes care of the bill at the end of each month especially if the casting is happing in another city or country. 
With social media catching on and with the latest apps even these figures are getting to an ignorable amount, like most casting directors would post the requirement on a social media page, tagging a few people who they think need to come, also used is here are services like BBM or Whatsapp where a group is made over time and a single message gets delivered to all what the requirements for the audition are and people who think they suit the requirement go for the auditions.

So depending on who is paying for what finalises the casting directors fees, although the most common practice would be to charge a fee and the rest at actuals. It is also best that the casting director reads the script or the storyboard before meeting for the casting brief so that he knows what his requirements would be in advance.

 

For answer to the previous question see
Q5:- Budget?

Read on for the next question
Question 7: Is there a contract to be made?

For the entire list of casting questions go back to

Casting Brief

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Filmmakers Talk #1 - The Producer

Filmmakers Talk is a new series of things that are industry related to be looked at with a pinch of humour, these could be things you would hear or see in the filmmaking industry, this series is to be taken in the light spirit and the right spirit* Some of these obviously would be made up.

Post your funny comments that you may have come across and it just might make it to the Film-Makers Talk List

*This is a work of fiction. Names, characters, quotes, places and incidents mentioned, either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, from the film industry or outside the film industry is entirely coincidental.






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Casting Brief Q5: Budget?

For the entire List of casting questions go back to

Casting Brief

Question 5: Is there a budget individually or totally? 

There cant be casting without the question on the budget, this is mostly asked by the casting director to the producer being, is there an individual budget to each character or is there an overall budget to all characters. In case there is an individual budget given to each character, it is easier for the casting director since he already knows the figure at the time of audition and can discuss it with the actor. In case of overall budget given for all characters, it is up to the casting director to manage the break up (this does not happen too often though) This usually happens when all the actors to be featured are of the same level and have an equal importance in the film, like a group of friends or in a commercial which is a montage and all the actors have a tiny but important role. Overall budgets are also given sometimes to the casting director minus the primary cast.

So once the amount is disclosed, the actor can choose to agree with the amount or disagree, if the figure is too far below what the actor expects they can choose not to waste time on the audition saving everyone's time and effort. However, there are actors who do give the audition and leave behind a quote of what they would expect if they do get shortlisted. In these cases, it is important for the casting director to inform the director and the producer at the time of shortlisting so a call can be taken in accordance. The actor in these cases would have to be really good and suited for the role for the producers to even think of starting a conversation with them, also it would depend on how much over the existing budget is the actor asking for. Knowing a budget also helps the casting director when making calls for actors to come for the audition as an experienced casting person would know that some of the actors would not come in that price range. Also, a deal can be cracked at this stage with the actor to maybe do the role for lesser figure than what they would normally charge.

There is also the case where there is no budget mentioned and each actor is required to give a quote to what they are expecting either at the audition or later if they are part of the shortlisted cast for that role. A case where no budget is mentioned happens both in features and advertising, in most of these cases, it is because the director insists on having a really good cast and would not want to be restricted in terms of options. This does not mean that they would pay any figure for the right character but to find the right person and then strike up a good deal so both parties are happy.

Budget is crucial especially in the case where a lot of people fit the brief for the role, since it opens up the competition, here the producer and director can choose the cheapest and the best actor that suits the film. In such cases, actors who keep their quotes open for bargaining do end up with the role especially if there are 2 or more people who are of the same standard.

A thing for actors and producers to remember like in all agreements that once the amount is agreed upon it would be bad to ask for a change in the figure later for whatever reason. So everyone should know well what they are getting into before anyone should agree to anything.

For the answer to the previous question see
Q4:- Dates for the shoot and shortlist

Read on for the next question
Question 6: Who will take care of the requirements of the audition? 

For the entire List of casting questions go back to

Casting Brief

For more interesting articles click on Auggielicious Index to see the list.

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Hollywood Vs Bollywood

Check out this spoof video made, this was done for a workshop organized by WIFT INDIA.



The Mayor's daughter has been kidnapped... The police have rounded up a few suspects.. watch on to see what happens...
Do leave your comments as to what you think of this...

A HollyBolly Mix

Rajnikanth Vs Superstar's

A special thanks to all who contributed towards making of this video.

CREDITS

Creative Supervisor:- Auggie
Concept - Ensia Mirza & Auggie
Writers:- Ensia Mirza & Auggie

CAST:-

   RAKSHA   as Vijay Ki Maa
   RAM         as Joker
   HARSH     as Gabbar
   YUSUF     as MIB agent
   SHRUTI    as Jadoo
   CHANDINI as Sheila
   DEV          as Thakur
   KINJAL     as Kill Bill
   DARSHAN as Don
   KALIDAS   as Rajnikanth
     

Producer:- WIFT
Production Team - Ensia, Hiren, Geeta & Darshan
DOP:- Hiren
Lights:- Monalisa Enterprise
Offline:- Auggie
Online:- Rohan Khokar
Music & Final Mix:- Melvin Saldanha

Voice Dubs for:-
Nirupa Roy:-
Joker:-  Auggie
Gabbar Singh, Thakur, Don:- Sanjay Keni
Will Smith:- Yusuf
Jadoo:-   Melvin Saldanha
Sheila Ki Jawani:- Frederica Flor
Kill Bill:-   Kinjal
Rajnikanth:-  Kalidas
Dubbing Studio:- Vikranth Digital Post (Shekhar)
Sound Recordist:- Pratik Pradhan

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Casting Brief - Q4: Dates for the shoot and shortlist?

For the entire List of casting questions go back to
Casting Brief

Question 4: Dates for the shoot and shortlist?

This question is asked so that when the casting director calls the actors for auditions, besides the other information, they are told the shoot dates as well so that in case the actor is already booked on those dates they can avoid going for the audition. This is more important in advertising than in feature films, in the case of the latter, the dates would mostly be a range of within an "X time" like a week or between months X - Y since till all the cast and all the other details are not in place the film would not be going on the floor. The only time dates are clear is when all the main cast, and other departments are blocked and only a few people are left to cast. Also, this would be the case when callbacks have happened and casting is in the 2nd or 3rd round of tests. (number of tests to finalize cast would vary, as it would be finalized only when the Director and all others concerned are satisfied.

In the case of advertising, almost 99% of the time the date for the shoot would be fixed and even if there is a doubt, there would be a very tiny range between which the shoot would occur, like between day X or X(+/-1), X(+/-2). That could also be the case because it could be a 3-day shoot and the actor would not be required on all 3 days. So the actor needs to be clear that by giving the audition they are committing to be available on those dates that have been told.

How is shortlisting done?

Now, what happens if the actor has auditioned for multiple roles for different production houses of which shoot could be on the same dates, that's where the shortlist date comes into play.

In advertising the first shortlist (especially if there are a lot of cast to go through) is done between the casting director, D.A, Asst director and the producer (not necessary all would be present) there are however some directors who do go through the entire list of people that have been auditioned. In most of the cases the first viewing is just a short glance at each video, here is where what you wear and your look will come into play, so while the director watches the video the assistant sits with the list of names of the actors that have auditioned and makes a shortlist.  Here only the really terrible actors and the ones that really don't suit the role are removed, like a 35-year-old actor who has auditioned for a 18-year-old. The director also glances at the first round of auditions (at the end of each casting day) when there is more than one day for casting, so that he can point out mistakes (if any) or tell the casting director to concentrate more in finding a particular character. In the second round of shortlisting (which is when all directors view the cast) the audition is watched in detail and a shortlist is made, the marking on each actors name would be YES, KEEP, FOR NOW, NO & MAYBE, basis on this a re-look at all cast is done which is the 3rd round, here the assistant has to line up all the cast basis each character and a new shortlist is further made. In the final round of shortlisting (which could be the 3rd one), the cast is then given preferences like a particular actor would be the Directors 1st choice followed by the 2nd choice and the rest are usually a backup in case the client does not like the first 2 characters presented. Usually, 2 to a max of 5 people per character are presented at the PPM. There are times when shortlisting or one round of presentation is also done with the agency present so that the director and the creative are on the same page so as to which actor is their preference for each part.

So when a production house informs the actor that they are shortlisted it means that the actor is being presented at the PPM, So what happens if the actor has been shortlisted in another job on the same shoot dates, they need to mention this at the audition or more importantly when the shortlist call is made to them, so that a reconfirmation call with the actor can be done just before the PPM and in case they agree to being free ONLY then will they be presented to the client. A lack of mention from the actor of "maybe not being available" is unprofessional and puts a lot of people in a spot of bother especially if they are liked by the agency and the client. The best thing for actors to do in cases where they don't know is to inform the casting director that they have been shortlisted on the same dates that are required and they will know on the date X, which would be the date where the other production house would give a 100% confirmation on the project. It would be a very rare case where the actor is shortlisted in 2 commercials to be shot on the same dates and would also have the same finalizing date and the actor can take on the project whoever confirms the job first and informs the other of the unavailability immediately.
e.g. if an actor has be shortlisted on 2 different jobs both to be shot on say the 8th of the month he informs the one who has the PPM on the later date say 6th that he will know on the 5th (PPM date of the other project) for sure if he is available or not, that way he can be part of both lists and does not have to put anyone in a spot of bother as long as the information is passed on time.

In case of feature films the main cast will have at least 3 callbacks before they are finalised, the first round is to shortlist people, the 2nd and 3rd would be to see compatibility and the last is generally the look test (not necessary for these to happen in this order) Casting in features could go on for months and as people get close to being finalised they are told of approximately when they could be shooting. In most cases the director watches the entire audition for each character and then makes shortlists for it.

Just to sum up, a smart casting director will inform the actor of not only the shoot dates but also on what date when the actor would know if they are shortlisted and when they will be finalised. Also, post finalising the cast a good casting director also informs the other actors who were part of the shortlist that they did not make it. A smart actor will know and use this information to maximize their chances of getting work.




For the answer to the previous question see
Q3: Sex of the character? - Male or female or...

Read on for the next question
Q5: Is there a budget individually or totally? 


For the entire List of casting questions go back to
Casting Brief

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Casting Brief - Q3: Sex? - Male or Female OR...

For the entire List of casting questions go back to
Casting Brief

Question 3: Sex? - Male or Female, OR...

Most people will wonder that it is obvious that male or female has already been answered while reading the script, so what is the reason I put the question OR?

While the casting of a character where the actor is partially seen like has a mask on like a joker, or a burnt face or a face which is painted through the role, or a deformity, etc. Therefore in such cases, at the time of casting the actor should be informed of the requirement, and then they can have a choice to give the audition or not.

It's not just masks and paints that hold onto this requirement if the character has to play a crossdresser, a eunuch, or just a panzy. Again informing the actor of this at the audition helps them to decide if they are up to the challenge or this role does not suit them. It helps in reducing the no of people even before casting gets to the shortlist stage and thus saves everyone's time.

Lastly don't forget the OR? also stands for casting for stand-in's, duplicates, as well as for animals that are featured in the film. Yes, the casting of animals does happen. In case of stand in's the requirements would generally be the same height, size, length of hair and sink color. In case of duplicates, it's the case of the closest looking to the person in question.

So while in most cases this question is not asked at all, there are times when this has to be asked.



For the answer to the previous question see
Casting Brief Q2 - Age of the characters

Read on for the next question
Question 4: Dates for shoot and shortlist?

For the entire List of casting questions go back to
Casting Brief




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Casting Brief - Q2: Age of the characters?

For the entire List of casting questions go back to
Casting Brief

Question 2: Age of the Character?

What is the age of each of the characters in question? Why would a casting director ask such a question when most of the characters age is defined in the script itself. Well, this is true only for some times, but mostly the age is not described, either because there are a lot of characters, or in cases like where the character is only just described e.g. as a mother or young teenager, there is no clarity of age. Therefore the casting director needs to ask this question, also even if its mentioned in the script it's better to clear that what is written in the script is the same as what the director has in mind.      

The age could be specific, like a just born therefore 5 - 10 days old, or a 1-year-old. But in most cases the age that would be given will be within a range, like between 40 - 45, or 20 - 25, etc. the reason a range is given is for the most obvious reason that not all people look their age, so while in actuality the person could be 30 yrs old but on camera might look 26 - 28 yrs. Makeup and costume do play a very important role in the casting process, eg a simple thing like wearing spectacles might make some people look a lot older than they are, same way hair open and hair tied up makes a difference to age that women look. The same goes for costumes, what is worn at the auditions, therefore, becomes very important.

So when actors go for auditions they should get the brief very clearly before they start.  The way you look even before you act will be judged upfront. Remember when the shortlisting process is taking place, there are a lot of people who have auditioned for the same role and you don't want to be rejected basis on first appearance's. Also if your a 40-year-old don't go for an audition which is for a 20 yr old and waste everyone's time and then wonder why you don't get shortlisted.

To the casting director, this question also gets very important when the same person has to play more than one character in the same film, like if the same person has to play a teenager and also play the mother later in the film. While casting of such a character one would try to find a person who could pull off being a teen as well as a lady of course with the help of makeup and costume, but the hunt would be someone who can pull both off.

Lastly, the importance of age is also in relation to the other characters, e.g. so while the brief might be for a 20 - 25-year-old girl who would be dating a 22 - 28-year-old boy, there may be a problem if the girl looks older than the guy especially if she is a junior in his college. Same with all roles characters will be judges not only on solo performances but also how they look with/against each other.



For the answer to the previous question see
Casting Brief Q1 - Casting Of How Many Characters?


Read on for the next question
Question 3: Sex of the character? - Male or female or...

For the entire List of casting questions go back to
Casting Brief







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Casting / Modeling / Acting Job Information Pages & Sites - Links

A lot of actors would ask me my email id to send their pictures, but let me tell you that 2 in 100 directors look at people pictures and would remember to call you when required, whats better for a actor to do is to follow casting directors or pages that post about work on  acting or modeling.

So I have listed a few links here to get people started, most of the links are for India, you can hit Like on their Individual pages or just bookmark this page to check for job postings..

Also check out the other pages related - 
Media Job Posting Pages India & International
Tips When Applying For Work 
Careers In Filmmaking Pre Production 
Careers In Filmmaking - Post Production
Webpages blogs magazines etc
Film festivals / advertising awards

Casting / Modeling Job Information Pages & Sites - Links

Actor-Model-Photographer-Makeup-Artist-

Stylist-Fashion-Designer-Casting

Absolute-Model-Management

Aks Model Management

Aryan Casting Director

Auditions-in-Mumbai

AD's  / Film's / TV

Audition India

Bas Ek Chance

BOLLYWOOD HUNTS

Casting-Acting-Photography

Cast It Talent

Casting Networks India

Casting-No-Couch

Casting Raj

CRMM-India-Talent-Signup-Page

Amit-cordination

Casting Director Pal

Casting Director Kabir Kumar

Casting-Directors-Special

Castomania

Castings World

Chennai Spears

Crizaze

Desithrill . Com

ELITE MODEL MANAGEMENT INDIA PVT LTD

Eskimo Vie Models

Fade in 3i Entertainment

Fame Street

Fireworx-Casting-Model-Management

Film-Casting-India-International

Glamour Calling

Glam flame Models

Glamour Hub 

Glamour world Casting

Hoonur

I-Am-A-Super-Model

International Management of Model & Artist

Inega model management

Irfan Archana Casting Director's

Model Book Online

Model Agency

Fashion Models Actors Singer Dancers Film Music

Models Earth

Movie Castings

NEH-Casting-Agency

Super Model 2012

Pure Model Management

Purple Model Management

Rajshree Casting Agency

Roshan-Taneja

Foundation-For-Performing-Arts

Runway-Media-Management

Shaun Model Management - K.L.

Shanoo -YRF Casting

shOwstOpper-casting-agency

International Model Management & Casting

Talent Promoterz

Toabh Talents

TPZ Casting

The Models Portal

Twiran Castings

Vivo Talentos Agency

*do let me know if any logo's or websites have changed and I will have that corrected.

** logo's taken from each company's / persons Facebook page.
***while adding each page make sure you check the authenticity of each as I am not responsible for any page.

****some page could go offline or be irrelevant.

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