Showing posts with label shoot. Show all posts
Showing posts with label shoot. Show all posts

Tuesday, May 24, 2016

Filmmakers Talk 15 - Casting Director

Let's see how many of you actually get this, leave a note in the comments if you do get it..




Post your funny comments that you may have come across and it just might make it to the Film-Makers Talk List


Some past Talks:








*This is a work of fiction. Names, characters, quotes, places and incidents mentioned, either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, from the film industry or outside the film industry is entirely coincidental.






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Thursday, April 30, 2015

Filmmakers Talk #11 - Fix in Post

Of course you have heard this..




Post your funny comments that you may have come across and it just might make it to the Film-Makers Talk List


Some past Talks:





*This is a work of fiction. Names, characters, quotes, places and incidents mentioned, either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, from the film industry or outside the film industry is entirely coincidental.





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Saturday, September 28, 2013

Casting Brief Q9: Individual Character Brief

For the entire list of casting questions go back to



Question 9: Individual Character Brief

This is a brief given by the director to the casting director about what they are looking for in each individual character. It is the director's perception of what they want the character to look like or act in a certain manner which would help to enhance the character, this is what the casting director needs to pass on or get out of the actor at the audition.

Sometimes a character brief is written down so that it can be shared with the actor so that they can prepare themselves for the role. These are usually one-page briefs and are not to be followed literately by the actors but the essence of the character is usually summed up in this brief. The briefing of characters in this manner is mostly done in feature films more than advertising. The reason for that is not always the entire set of people being cast will get to read the entire script and in order to understand the character, this description is important. Usually first round of auditions happens only on the basis of one scene that has been given and to be fair to the actor it is important for the actor to know what the role includes.

The brief which like I said is a one-page description, which in short says everything about the character like RAHUL (name of character) who is 28 yrs old, decent looking, coming from a lower-middle-class, has had to struggle for everything in life, right from education to even making friends, he is currently going through a tough time, having lost his job and his girlfriend had dumped him for a richer guy, he now stands at the bus stop where he has just seen a robber hide a bag full of money on the top of the roof, what does Rahul do.. 
The scene given to the actor at the audition is the scene where Rahul is standing at the bus stop. This example shows that the actor has been giving just enough to know how to play the part without revealing too much of the plot of the script. Some times the director's brief could be specifics like maybe the character should try a lisp while talking, or a foreign accent or something like a small limp while walking or even as simple as trying the audition with and without specs.




It is not necessary to have a detailed brief for each of the characters to be cast but helps in giving the casting director some direction to what the director is looking for. It is therefore important for the casting director to have read the entire script and know the story well, cause actors will have a few more questions about the character after reading the brief, of course, the casting director has to be careful while reveling information not to let out too much of the plot of the movie.

There are times when no brief is given as the director wants to see what the actor brings to the table, some of the most memorable characters we see on film are things that the actor would have brought to the audition sometimes even unknowingly.




For the answer to the previous question see
Casting Brief Q8: Competitive Brands

Read on for the next question
Question 10: Any reference to any character/actor?



For the entire list of casting questions go back to




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Wednesday, June 26, 2013

Casting Brief Q7: Contract?


For the entire list of casting questions go back to







Question 7: Contract?

A contract is made between either the producer (production house) and the actor or sometimes directly with the brand, like in the case of commercials.

In features, a contract is usually made for almost everyone working on it. In the case of actors, all the cast who have to give more than a few days to the film have to sign contracts. Some of the basic things that a contract usually contains are,
a) The total amount that the producer and the actor agreed to for that particular project.
b) The time required from the actor.. i.e. no of days or months or sometimes even the exact dates that are required, not just for the shoot but for dubs as well.
c) The timelines and distribution to when this would be paid,
(eg- 10% advance on signing + 50% on completion of shoot + 40% on completion of dubs is one version, other is a fixed sum at the end of every month. The break is what is best suited to both parties)
d) Participation of the actor in promotional activities before the release, this also could be in terms of no of days of appearance or get even more specific like 10 tv shows 3 radio, etc..

In most cases there are no contracts made for actors who are cast for a day's shoot and for background artists, however, there could be a one-page agrement with these actors and for background artists, the contract is usually made with the coordinator.

In the case of commercials, the actor has to reveal at the time of casting if they are or have been part of competitive brands irrespective of contracts. Usually, if the actor has had a lead role and face has clearly been seen on a major brand like a cola drink the actor cannot act for its competition for around 2 years (even if no contract is made as competition won't touch the actor), it is therefore also necessary for the casting director to make sure that this is followed as this could land up everyone in a soup. Even when the contract is over it is best to mention at the time of audition that the actor had a contract with a particular brand that ended on so and so date. Contracts in commercials range from
a) A simple agreement to endorse the brand and not participate in the competition for 'X' time period. to
b) A contract that signs the person as a brand ambassador which goes beyond just shooting a commercial but print, radio and presence at live event's, etc..




TIP to all:
a) Before signing any contract it is best to read all the fine print on it as that might just lead to bigger problems later.
b) Be aware of all that is required from your end to fulfill the contract
c) Also, keep an eye for the clauses that can stop your payment or working on other similar materials.
d) If your confused about some clause get clarification not only from the concerned party but also from a lawyer if need be. OR lookup online to hunt for similar agreements and see what they contain.




For the answer to the previous question see
Q6 - Casting Requirements?

Read on for the next question
Question 8: Which competitive brands worked on by the actor are to be kept in mind?



For the entire list of casting questions go back to




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Wednesday, February 20, 2013

Casting Brief - Q4: Dates for the shoot and shortlist?

For the entire List of casting questions go back to
Casting Brief

Question 4: Dates for the shoot and shortlist?


This question is asked so that when the casting director calls the actors for auditions, besides the other information, they are told the shoot dates as well so that in case the actor is already booked on those dates they can avoid going for the audition. This is more important in advertising than in feature films, in the case of the latter, the dates would mostly be a range of within an "X time" like a week or between months X - Y since till all the cast and all the other details are not in place the film would not be going on the floor. The only time dates are clear is when all the main cast, and other departments are blocked and only a few people are left to cast. Also, this would be the case when callbacks have happened and casting is in the 2nd or 3rd round of tests. (number of tests to finalize cast would vary, as it would be finalized only when the Director and all others concerned are satisfied.

In the case of advertising, almost 99% of the time the date for the shoot would be fixed and even if there is a doubt, there would be a very tiny range between which the shoot would occur, like between day X or X(+/-1), X(+/-2). That could also be the case because it could be a 3-day shoot and the actor would not be required on all 3 days. So the actor needs to be clear that by giving the audition they are committing to be available on those dates that have been told.


How is shortlisting done?

Now, what happens if the actor has auditioned for multiple roles for different production houses of which shoot could be on the same dates, that's where the shortlist date comes into play.

In advertising the first shortlist (especially if there are a lot of cast to go through) is done between the casting director, D.A, Asst director and the producer (not necessary all would be present) there are however some directors who do go through the entire list of people that have been auditioned. In most of the cases the first viewing is just a short glance at each video, here is where what you wear and your look will come into play, so while the director watches the video the assistant sits with the list of names of the actors that have auditioned and makes a shortlist.  Here only the really terrible actors and the ones that really don't suit the role are removed, like a 35-year-old actor who has auditioned for a 18-year-old. The director also glances at the first round of auditions (at the end of each casting day) when there is more than one day for casting, so that he can point out mistakes (if any) or tell the casting director to concentrate more in finding a particular character. In the second round of shortlisting (which is when all directors view the cast) the audition is watched in detail and a shortlist is made, the marking on each actors name would be YES, KEEP, FOR NOW, NO & MAYBE, basis on this a re-look at all cast is done which is the 3rd round, here the assistant has to line up all the cast basis each character and a new shortlist is further made. In the final round of shortlisting (which could be the 3rd one), the cast is then given preferences like a particular actor would be the Directors 1st choice followed by the 2nd choice and the rest are usually a backup in case the client does not like the first 2 characters presented. Usually, 2 to a max of 5 people per character are presented at the PPM. There are times when shortlisting or one round of presentation is also done with the agency present so that the director and the creative are on the same page so as to which actor is their preference for each part.

So when a production house informs the actor that they are shortlisted it means that the actor is being presented at the PPM, So what happens if the actor has been shortlisted in another job on the same shoot dates, they need to mention this at the audition or more importantly when the shortlist call is made to them, so that a reconfirmation call with the actor can be done just before the PPM and in case they agree to being free ONLY then will they be presented to the client. A lack of mention from the actor of "maybe not being available" is unprofessional and puts a lot of people in a spot of bother especially if they are liked by the agency and the client. The best thing for actors to do in cases where they don't know is to inform the casting director that they have been shortlisted on the same dates that are required and they will know on the date X, which would be the date where the other production house would give a 100% confirmation on the project. It would be a very rare case where the actor is shortlisted in 2 commercials to be shot on the same dates and would also have the same finalizing date and the actor can take on the project whoever confirms the job first and informs the other of the unavailability immediately.
e.g. if an actor has be shortlisted on 2 different jobs both to be shot on say the 8th of the month he informs the one who has the PPM on the later date say 6th that he will know on the 5th (PPM date of the other project) for sure if he is available or not, that way he can be part of both lists and does not have to put anyone in a spot of bother as long as the information is passed on time.

In case of feature films the main cast will have at least 3 callbacks before they are finalised, the first round is to shortlist people, the 2nd and 3rd would be to see compatibility and the last is generally the look test (not necessary for these to happen in this order) Casting in features could go on for months and as people get close to being finalised they are told of approximately when they could be shooting. In most cases the director watches the entire audition for each character and then makes shortlists for it.

Just to sum up, a smart casting director will inform the actor of not only the shoot dates but also on what date when the actor would know if they are shortlisted and when they will be finalised. Also, post finalising the cast a good casting director also informs the other actors who were part of the shortlist that they did not make it. A smart actor will know and use this information to maximize their chances of getting work.




For the answer to the previous question see
Q3: Sex of the character? - Male or female or...

Read on for the next question
Q5: Is there a budget individually or totally? 


For the entire List of casting questions go back to
Casting Brief






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Wednesday, October 17, 2012

A robotic arm for slow motion photography

A robotic arm that gives precise movements coupled with slow motion, check out this web page

Slow Motion Meets Robtic Arm

more details on their web page,

The Marmalade

or check out what the camera can do on vimeo..

http://vimeo.com/33408157





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Monday, May 21, 2012

Newest Camera Device - Motion Control and Time Lapse Device

Newest Camera Device - Motion Control and Time Lapse Device


Just came across this and all digital filmmakers should have a look at this, I think this would be a very cheap option for those who want to do Motion Control. Some of the advantages of this are, its small, easy to set up and is cheap. For more details click on the links below.. While most of what these guys have experimented with are time lapse, I am thinking special effects... cheek it out...

Genie Motion Control Time Lapse Device

Follow them on
Facebook - SYRP
Webpage - Genie SYRP
Vimeo - Vimeo SYRP


Also check out the competition, though these guys seem a bit expensive but have more options on equipment.

Ditogear News Going Black


Follow them on
Facebook - Dito Gear





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