Showing posts with label supervisors. Show all posts
Showing posts with label supervisors. Show all posts

Friday, September 7, 2012

Careers in filmmaking - Post Production

"We wants it, we needs it. Must have the precious. They stole it from us. Sneaky little hobbitses. Wicked, tricksy, false!" - Gollum, Lord of the Rings: The Two Towers. (2002)


Career Choice – Post Production



Pre-Production not your cup of tea, so here are some of the things you could do in post-production.

POST - PRODUCTION


Post Production Supervisor – Key link in coordinating the entire process from after shoot till the project ends. Does not need to know how to operate the various systems, but some amount of technical knowledge does help. It could be freelance or inhouse with either a production house or even a Posthouse.

Offline Editor – the person who cuts the rushes to a viewable sequence in accordance with the director’s vision. It could be freelance or associated with a post-production studio.

Assistant Offline Editor – Assists the editor, main job role would be digitising the rushes, sorting it, sound syncing, making subclips  etc. Usually a trainee who wants to become an editor.

Online Editor – works on high resolution systems, not so much for cutting the film but used for compositing, tittling, cleanups etc. mostly is associated with a studio very rarely do u find freelance online editors. 

Colourist – sets the colour tone to the film. Is always associated with a Post Production House.

Machine Room Technician –  works in the machine room of a studio, is responsible for connections from offline, online rooms to recorders, players, hard disks etc.

Booking Manager – the person who manages the booking to all the rooms present at the post house, job done by more than one person at bigger studios.

Studio Manager – handles all the client and editor related complaints or suggestions and making sure that work flows smoothly. Mainly like a P.R. role.

Visual effects supervisor  (Vfx) – Usually the head of the graphics department, or the person who is heading the project, could also be the expert on that particular job. Knows how to work the software mostly.

3D Graphic’s – person or a team of people who work on 3D graphic software's.

2D Grpahic’s – person or a team that works on 2D graphics, sometimes the person knows both 2D and 3D. 

Music Director – the person who controls the direction of the music on all levels, not necessarily the composer of the piece.

Composer – the person who could use both instruments and software's to compose a music track, background score.  

Arranger – has to make sure that every aspect of the music piece is well harmonized. Could work on an original or an existing piece of music. Sometimes the music director or the composer also plays this role.

Sound Engineer – records voices at dubs, lays tracks from the music director mixes it all down to a proper balance that is required.

Foley Artist - Creates sound effects that cant be captured during film making, sounds like footsteps, clothes rustling, door closing etc. its any sound that could be part of the scene.

Singer – Sings either the main voice or in a chorus.

Voice Over Artist (VO) – the person who dubs the voice either in place of the actor or the voice for the product window like in advertising. Short forms are MVO and FVO for males and females respectively.

Language Co-ordinator for VO – a person who co-ordinates and arranges for VO artists in different languages according to the requirement at the recording studios. Sometimes also arranges for a language supervisor.

Language Supervisor – Someone who supervises the language pronunciation, and also makes necessary to the translations if necessary. Sometimes the language scriptwriter also doubles up as the supervisor.


Of course, most of these titles have assistants to them. There are more jobs to post-production, like a Promo Producer in a Television network or Publicist in a feature film. Still can't decide what to do then maybe its journalism, advertising agency, channel, etc is where you need to be.





Auggieism:- What do you say when Auggie is overeating?
Ans:- Hoggie..





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Tuesday, May 31, 2011

Panasonic Dimensions 3D film competition

Panasonic Dimensions 3D film competition:-


A 3D competition put together by Panasonic where 7 film schools across India participated in a short duration movie/documentary making contest in 3D, a workshop at Upper Deck @ Lonavala where Barry Braverman (DOP / 3D expert) took everyone through the basics of 3D in quite a depth at the same time introducing Panasonic's AG-3DA1 camera.

Upper Deck - Lonavala

You can check this page for the specs and some basics of the camera and 3D:-
http://pro-av.panasonic.net/en/3d/ag-3da1/index.html


Film schools that participated in this competition were
LV Prasad - Chennai

Chennai Film Industrial School (CFIS) - Chennai

Asian Academy of Film and Television (AAFT) - Delhi

NDTVmi - Delhi

Film and Television Institute of India (FTII) - Pune

Symbiosis Institute of Media and Communication (SIMC) - Pune

Satyajit Ray Film and Television Institute - Kolkata




The entire gang.


In the workshop, Barry not only covered 3D but also looked into storytelling and how one could use 3D to enhance the story by using it. The limitations and the so-called rules or basic principals one could say were also shared during the course of this workshop.  



A bunch of professionals from the industry including me, were asked to act as mentors or creative producers, our responsibility was to make sure that while creativity was given a free hand there were no basics that were overlooked and a check on budgets of course. Nikhil Gonsalves was the chief producer and all teams had to report to him.

The mentors along with Barry and Nikhil.

The fields from which each mentor come are as follows:-
Satyanshu Singh - Scriptwriter
Arjun Venkatesh - Cinematographer
Rohan Talwalkar - Assistant Director
Augustine Fernandes (Auggie) - Director. 
Chirag Patel - Cinematographer / Photographer
Tunali Mukherjee - Photographer / Writer
Kumar Devanshu - Scriptwriter


Over the 3 days, the teams were given a chance to use 3D cameras, so that technical questions mainly because of the medium could be sorted, also limits of the camera and medium were figured. Each team had to work on stories which they had to pitch and only after all the producers were happy were the teams given a green signal for that story to be their 3D film which they would work on following the workshop. While pitching each team had to have back up ideas in case the one pitched failed to make the cut, also they had to come up with a Title, log line (story in one line or something that is memorable from the film), and a poster for the pitch. (This is something that a few directors go through when they try to sell their script to producers or financiers)





Post the workshop teams returned to their colleges and work on their storyboards, location recce, casting, costumes and mainly budgeting, dates were fixed post-budget approvals and this followed by prep and shoot. All teams were given sufficient time and were called in batches for their respective edits at Qlabs in Mumbai, the process involved a basic 2D edit a 3D conform, DI while dubs and sound mix on 5.1 Dolby. The finished films were burnt onto blu ray and were ready for judging.

The judging was done by none other than
Rajkumar Hirani 
Nikhil Advani  and
Karan Johar

So while the winning team got to fly to LA to visit the Panasonic Studios the rest of us took back the fact that we were among the rare few who got to learn and work in a medium that is still in the developing stage. We also got to take back memories along with a whole bunch of new friends from across the country.

You can watch the episodes that were covered by NDTV and which were aired in the links below
(Don't know how long these links will last though.)

Episode 1

Episode 2

Episode 3

Final Episode







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