Pro Tip#8 - Networking

Film schools never teach you marketing & networking and these are two of the most important things to learn in this industry. A lot of very good talent goes to waste as they lack these skills.

It does not matter if you're a director or a producer or an intern that's just starting out. Being a friendly person to work with will not only make your employers come back to you time and time again but those same people would also recommend you to others. Who wouldn't want to work with a person who is cheerful even at the most stressed-out times? 

Make friends with all, from the runner on your set to the client that is present. You never know when someone climbs the ladder or changes their path. An assistant from today could be your potential client tomorrow. Of course, you will come across people you don't like and never want to work with, even in such situations be polite and try and move out of the situation or job or project as quietly and quickly as possible. Never burn bridges with anyone. 

 

Besides the workplace how do you go about networking? start simple, by adding your peers on social media. See other people's work, say nice things about it if you like it. As and when possible make friends with others beyond your office network like when you are in studios and there are others around. Post-production studios are a great way to meet people from different organizations. Go for parties and events like award functions or film festivals, these are great places to build your network quickly if your good at it. Invite your potential clients, agencies out to drinks, or dinner. A post wrap party is always a nice time to bond.

But in your effort of networking, do not force your self on people by constantly messaging and chatting. Give people their space too. If it's meant to be you will become friends with that person. Don't keep asking people for work, see Tips When Applying For Work

Don't forget to leave your thoughts, tips, and comments below

Check out more professional filmmaking tips here

Don't forget to read,

Pro Tip #7 - Up Your Skills

Filmmakers Talk 19 - Voice Over Instructions

If you have heard any funny comments in the studio post it in the comments below and it might just make the Film-Makers Talk List.

Previous Talks:

Filmmakers Talk-18: Life of a freelancer

Filmmakers Talk-17: Sound PJ.

Casting Brief Q9: Individual Character Brief

For the entire list of casting questions go back to

Casting Brief

Question 9: Individual Character Brief

This is a brief given by the director to the casting director about what they are looking for in each individual character. It is the director's perception of what they want the character to look like or act in a certain manner which would help to enhance the character, this is what the casting director needs to pass on or get out of the actor at the audition.

Sometimes a character brief is written down so that it can be shared with the actor so that they can prepare themselves for the role. These are usually one-page briefs and are not to be followed literately by the actors but the essence of the character is usually summed up in this brief. The briefing of characters in this manner is mostly done in feature films more than advertising. The reason for that is not always the entire set of people being cast will get to read the entire script and in order to understand the character, this description is important. Usually first round of auditions happens only on the basis of one scene that has been given and to be fair to the actor it is important for the actor to know what the role includes.

The brief which like I said is a one-page description, which in short says everything about the character like RAHUL (name of character) who is 28 yrs old, decent looking, coming from a lower-middle-class, has had to struggle for everything in life, right from education to even making friends, he is currently going through a tough time, having lost his job and his girlfriend had dumped him for a richer guy, he now stands at the bus stop where he has just seen a robber hide a bag full of money on the top of the roof, what does Rahul do.. 
The scene given to the actor at the audition is the scene where Rahul is standing at the bus stop. This example shows that the actor has been giving just enough to know how to play the part without revealing too much of the plot of the script. Some times the director's brief could be specifics like maybe the character should try a lisp while talking, or a foreign accent or something like a small limp while walking or even as simple as trying the audition with and without specs.

It is not necessary to have a detailed brief for each of the characters to be cast but helps in giving the casting director some direction to what the director is looking for. It is therefore important for the casting director to have read the entire script and know the story well, cause actors will have a few more questions about the character after reading the brief, of course, the casting director has to be careful while reveling information not to let out too much of the plot of the movie.

There are times when no brief is given as the director wants to see what the actor brings to the table, some of the most memorable characters we see on film are things that the actor would have brought to the audition sometimes even unknowingly.




For the answer to the previous question see
Casting Brief Q8: Competitive Brands

Read on for the next question
Question 10: Any reference to any character/actor?

For the entire list of casting questions go back to

Casting Brief

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Casting Brief Q5: Budget?

For the entire List of casting questions go back to

Casting Brief

Question 5: Is there a budget individually or totally? 

There cant be casting without the question on the budget, this is mostly asked by the casting director to the producer being, is there an individual budget to each character or is there an overall budget to all characters. In case there is an individual budget given to each character, it is easier for the casting director since he already knows the figure at the time of audition and can discuss it with the actor. In case of overall budget given for all characters, it is up to the casting director to manage the break up (this does not happen too often though) This usually happens when all the actors to be featured are of the same level and have an equal importance in the film, like a group of friends or in a commercial which is a montage and all the actors have a tiny but important role. Overall budgets are also given sometimes to the casting director minus the primary cast.

So once the amount is disclosed, the actor can choose to agree with the amount or disagree, if the figure is too far below what the actor expects they can choose not to waste time on the audition saving everyone's time and effort. However, there are actors who do give the audition and leave behind a quote of what they would expect if they do get shortlisted. In these cases, it is important for the casting director to inform the director and the producer at the time of shortlisting so a call can be taken in accordance. The actor in these cases would have to be really good and suited for the role for the producers to even think of starting a conversation with them, also it would depend on how much over the existing budget is the actor asking for. Knowing a budget also helps the casting director when making calls for actors to come for the audition as an experienced casting person would know that some of the actors would not come in that price range. Also, a deal can be cracked at this stage with the actor to maybe do the role for lesser figure than what they would normally charge.

There is also the case where there is no budget mentioned and each actor is required to give a quote to what they are expecting either at the audition or later if they are part of the shortlisted cast for that role. A case where no budget is mentioned happens both in features and advertising, in most of these cases, it is because the director insists on having a really good cast and would not want to be restricted in terms of options. This does not mean that they would pay any figure for the right character but to find the right person and then strike up a good deal so both parties are happy.

Budget is crucial especially in the case where a lot of people fit the brief for the role, since it opens up the competition, here the producer and director can choose the cheapest and the best actor that suits the film. In such cases, actors who keep their quotes open for bargaining do end up with the role especially if there are 2 or more people who are of the same standard.

A thing for actors and producers to remember like in all agreements that once the amount is agreed upon it would be bad to ask for a change in the figure later for whatever reason. So everyone should know well what they are getting into before anyone should agree to anything.

For the answer to the previous question see
Q4:- Dates for the shoot and shortlist

Read on for the next question
Question 6: Who will take care of the requirements of the audition? 

For the entire List of casting questions go back to

Casting Brief

For more interesting articles click on Auggielicious Index to see the list.

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Casting / Modeling / Acting Job Information Pages & Sites - Links

A lot of actors would ask me my email id to send their pictures, but let me tell you that 2 in 100 directors look at people pictures and would remember to call you when required, whats better for a actor to do is to follow casting directors or pages that post about work on  acting or modeling.

So I have listed a few links here to get people started, most of the links are for India, you can hit Like on their Individual pages or just bookmark this page to check for job postings..

Also check out the other pages related - 
Media Job Posting Pages India & International
Tips When Applying For Work 
Careers In Filmmaking Pre Production 
Careers In Filmmaking - Post Production
Webpages blogs magazines etc
Film festivals / advertising awards

Casting / Modeling Job Information Pages & Sites - Links

Actor-Model-Photographer-Makeup-Artist-

Stylist-Fashion-Designer-Casting

Absolute-Model-Management

Aks Model Management

Aryan Casting Director

Auditions-in-Mumbai

AD's  / Film's / TV

Audition India

Bas Ek Chance

BOLLYWOOD HUNTS

Casting-Acting-Photography

Cast It Talent

Casting Networks India

Casting-No-Couch

Casting Raj

CRMM-India-Talent-Signup-Page

Amit-cordination

Casting Director Pal

Casting Director Kabir Kumar

Casting-Directors-Special

Castomania

Castings World

Chennai Spears

Crizaze

Desithrill . Com

ELITE MODEL MANAGEMENT INDIA PVT LTD

Eskimo Vie Models

Fade in 3i Entertainment

Fame Street

Fireworx-Casting-Model-Management

Film-Casting-India-International

Glamour Calling

Glam flame Models

Glamour Hub 

Glamour world Casting

Hoonur

I-Am-A-Super-Model

International Management of Model & Artist

Inega model management

Irfan Archana Casting Director's

Model Book Online

Model Agency

Fashion Models Actors Singer Dancers Film Music

Models Earth

Movie Castings

NEH-Casting-Agency

Super Model 2012

Pure Model Management

Purple Model Management

Rajshree Casting Agency

Roshan-Taneja

Foundation-For-Performing-Arts

Runway-Media-Management

Shaun Model Management - K.L.

Shanoo -YRF Casting

shOwstOpper-casting-agency

International Model Management & Casting

Talent Promoterz

Toabh Talents

TPZ Casting

The Models Portal

Twiran Castings

Vivo Talentos Agency

*do let me know if any logo's or websites have changed and I will have that corrected.

** logo's taken from each company's / persons Facebook page.
***while adding each page make sure you check the authenticity of each as I am not responsible for any page.

****some page could go offline or be irrelevant.

For more interesting articles click on Auggielicious Index to see the entire list.

Like / Follow on the Facebook page Auggielicious for information, latest news, job posts etc..