Showing posts with label shooting script. Show all posts
Showing posts with label shooting script. Show all posts

Thursday, April 26, 2012

How to prepare a good presentation document - The PPM Docket


"It takes a great deal of bravery to stand up to your enemies, but a great deal more to stand up to your friends."  –Dumbledore, Harry Potter

How to prepare a good presentation document - The PPM Docket


If you’re the D.A. or the assistant that is given the responsibility to compile the material for the pre production meeting (PPM) with the agency and client, read on to get some tips on how you can do so quickly and efficiently. While this is just some very basic tips which most of you might already know, there may still be somethings that you could pick up from it.

Do you have good content?


Well for a starters a good presentation will always be excellent if the contents are good and that in turn will depend on your referenced material and how much of the director's vision goes into it. While it is the entire team's responsibility to collect various references and even actual material at times, it is the D.A.’s job to collect all these and combine it so that all is easily presented. The best way to avoid late nights before the PPM would be to start work on the docket right from the time the project has been given a go-ahead. Make sure that all material gets collected in one place, at least all the reference material that’s digitally collected and neatly separated into different folders like key props, location, costume, etc, within which don’t forget to have subfolders of approved and rejected. (This is of course the director’s decision) Never delete rejected material till at least the ppm is over and mainly don’t forget to backup material regularly on a hard disk or a second computer, you don’t want to be stuck in case at the last min your computer decides to act up. (Tends to happen) Do not forget the content of the non-digital kinds, like a miniature set, shade card for colour references, material pieces for costumes or key props that have to be approved by showing the actual product. Make sure that you have all these collected and ready much before the PPM.

What is the Final Output?


Before you start making the final docket the first question to answer is what is the final output going to be, is it going to be projected, printed and filed, direct of the laptop, or a combination. That will lead to how do you want to make your presentation appear, mainly landscape or portrait.  
   
Pic -1

Usually for projections, you would go for Landscape as that would fill up the entire screen, Print’s usually are better handled in Portrait, however, if you have a docket that has to be projected and printed you can always work in Landscape and print it in Landscape as well, just have it bound on the top side so that the pages turn upwards. If you are printing your docket remember to leave some space on the side or top for binding. There is another method, where a folder with plastic sleeves are used during prep and as and when one finds references they are printed and put into it, this includes a Title page and an Index this way the director can show the references at all meetings during the prep also changes during this time means one page gets added in or one comes off or replaced. The other benefit of this method is that you save paper as there is only one file, which could be a problem at the meeting where there are a lot of people present as its difficult for all to look at that one file.

TIP – 
You will find Landscape and Portrait option under 
Word - Page layout – Orientation, 
PPT – Design – Slide Orientation, 
Photoshop – File – New – International Paper – A4 (then flip the values if you want it to be Landscape.)

What is the best Software to use?


What is the software you want to use to compile your digital data would depend on how comfortable you are with the software and also what is it that the production house and director are comfortable with? It is best as a D.A. to know most of the software’s, the reason being while some directors only look at docket and suggest the changes, which leaves you to control the entire way you make it, however, there will be most of the directors who would actually work on the docket themselves, (not necessary to complete it but in parts at least) it’s for the later that you should know what software is most comfortable with them. The software that mostly goes into the making of a PPM docket are Word, PowerPoint Presentation (PPT), Photoshop and even Corel draw sometimes. Of this personally, I found Word to be the worst way of making a presentation as every little shift or change of material has a corresponding effect to whatever is below it and even though you can control that* to some extent, it just a lot more painful to deal with. I find PPT to be the quickest and most controlled way of preparing your presentation material. The biggest benefit is that this software is the one that is mostly used and is also easily worked on by others. You can control what goes on each and every individual page (or slide as it is known in PPT) and therefore don’t have to worry how other slides get affected by changes done to any material on it. You can also quickly move slides or even multiple slides up and down in the presentation**. Photoshop  & Corel Draw does help in making the presentation look good but does not help in making quick changes. It also does not make it easy for transfer to other work stations and the file sizes generally get very large. Remember that photoshop and Corel draw can be used only if the files are going to be printed only, as projecting them will be a huge hassle*** However you can make your material like images, etc look good in Photoshop before inserting it in PPT.          


TIPS- 
If it’s your first time doing the job, or if your first time with the production house then a good idea would be to look at a previous docket of the production house you will get an idea of what their style generally is, also its easier to lift of templates, production house logo etc from there.

* In Word – Click CTR and ENTER for things that you always want to start on a new page, that way each time you enter some new the material above, this page will continue to begin at the top of the next page.

**PPT – VIEW – SLIDE SORTER (you can switch using the shortcut button for SLIDE SORTER, NORMAL and SLIDE SHOW which you will find at the bottom right of the software) This lets u see most of the slides in one go making it easier to move pages around or a quick review of the entire project. (If you want to move a section up or down just select those slides and move it by just dragging it or use the cut-paste method)

Slide Sorter

***Photoshop & Corel Draw - you can present from these software's by saving each page as jpeg's, then numbering them in the order that you want and using a basic jpeg software to present on full screen, (not recommended at all) alternatively you can paste these finished images in PPT which then makes it easier to project. You can also custom design your template here before using in PPT.   

What is the content that goes into the docket?


Following is the list of things that go into making of a docket for the PPM. 

1.   Title page - Name or Logo's of Product, Client, Agency, Production House, Date etc
2.   Index - Headers of each section's with page numbers if possible
3.   Agency Script - Unedited if there was one sent.
4.   Agency Storyboard -  Unedited if there was one sent.
5.   Directors Treatment Note
6.   Directors Storyboard - would include edits if required.
7.   Look and Feel
8.   Costume References
9.   Hair and Makeup References
10. Location Pictures / Set Design or References of look
11. Art References – Key Props, furniture or important stuff that go into the making of a set/location.
12. Cast Options - Images or Names with character name and Video's
13. Music References - If any
14. Video References - If any which includes special effects references or just for the style of shooting or edit.
15. Schedule - from PPM to Final Presentation
16. Contact Sheet / Crew Sheet – if required
17. Notes – blank page left to make notes (if the docket is being printed)

While not all of the above, would be present or required in all dockets and the order of appearance would depend on what the priority to that project would be. Video and audio references can be linked to the PPT but remember to keep all these in the same folder especially if the material is being transferred from computer to computer. (links break if the location of the file has changed) Thus it's best to have all the final material in one folder called the PPM, so that each time you have to share all is ready in just one folder. Another option is to make a separate CD / DVD for the video files/audio files and just mention a note on the PPT like "refer to CD / DVD or Video". The same applies with other materials like miniature set or fabric for costume etc.

Proper Finishing


Proper finishing is a must in any presentation, while having good content is all-important, presenting it the right way helps a lot in getting the job done a lot more smoother. No one wants to see jumbled up information. Here are some pointers that could help you make your presentation look good.

   1. Make sure all the images you place on each slide look good, use box borders if required* to make these look neat. If the images are of the same kind 
(like storyboard images) then make sure they are of the same size and the same position on the slides. (like in the same line next to each other or one below each other, same with text.)  


Borders


      2.  Don’t overcrowd the page with too much information at the same time don’t keep it so less that you have to go through a lot of pages to get the information. eg. you can have 2 or 4 images of the storyboard per slide. (see pic - 1 above)

      3.  Remember to use page nos** especially in documents that run into a lot of pages. Do not forget to enter these at the Index page, but do so only last after the order and all material has been inserted into the docket.

      4.  You can custom the look you want for the entire presentation under VIEW – SLIDE MASTER. Here you can set a colour, font, design, image, etc for your background. Basically what you set here is what will happen automatically when you say NEW SLIDE so you don't have to keep redesigning it. 

Slide Master


     5. Look under Background styles and Themes for ready choices. You can use the preset options for header and footer or you can even custom the positions and sizes. You can also custom your background design in Photoshop and use that by pasting the image here. (Master Slide) just make sure that this does not interfere with the content on each slide. 



Background Styles & Themes

      6.  Use the header & footer (if you want) to put the names/logo's of client, agency, and production house, make sure that these look like watermarks so that they are not disturbing the content on the pages keep them as tiny as possible.

      7. Make sure your entire docket is in the same font and size unless intended otherwise.



   TIP -

* Use of boxes can be found under format, don’t forget to check options of shape, shadow, color, and other effects that can be done to each image to make them look better and neater. Use the height and width shortcut for maintaining image size (images from the same source at least) this also helps when the image is large and helps in quick reduction. (see green arrow in the pic- 2 below)
** You will find slide no’s under Insert – Header, Footer – Page no, Do not forget to select the – “don’t show on title slide” option if you want your title pages not to have a number. 

SOME SHORTCUTS AND TIPS

1. Sart the work on your presentation docket right from day one, add or change material as and when things get finalised, this way you save on a lot of time right at the end which otherwise results in working till the very last minute before the presentation. This also gives you enough time to work and rework a design/template which best suits that presentation.

2. If one has to email the docket and the file size is too big, because it contains large images etc you can compress the docket going under FORMAT – COMPRESS PICTURES - OPTIONS, select the options that suit your needs, this reduces file size quite drastically, Once this is done it can’t be undone, so remember to do a “save as” and apply your settings on the copy. For prints and presenting of the computer make use of the original file.


Pic -2


3. If you don’t want the people receiving the file to make changes or don’t want a loss of font due to default in some computers, remember to convert it to a PDF file before emailing it out. (Can do so after reducing file size)

4. If you want your title pages not to have numbers then just select the option – don’t show on ‘Title Slide’ when you use to insert the page numbers. To control the design of the title slide it is the 2nd slide under slide master. (See Image -slide master above)

5. Remember your docket can have multiple title slides, like a header to a section, eg storyboards or costume references. You can also quickly choose the design that you want by using the drop-down menu.



Title Slide design options


   6. You can make some logos transparent, though this does not work always but if the logo has a decent amount of solid color it can be made transparent. The benefit of which is you can merge your logos into the backgrounds that you design. FORMAT - RECOLOUR - SET TRANSPARENT COLOUR


Remove solid colour


7. If you are using multiple images one top of the other or one a slide you can use the group option to avoid it from moving around once you have fixed the positions. You can also group images and text boxes together.  

8. Make sure the final copy is checked by the director or producer before it goes for printing and the presentation. A final check of the entire docket is a must.

    PRINTING OF THE DOCKET
9. If you are printing your docket, you have 2 options, print the first color copy in the office its self so that it could be proof read before colour photocopies are taken of it. OR have it printed at the printers but make sure the 1st copy is checked before copies are made. Check the page order, font change, shape and size change, etc. Its best to take a pdf file to the printer so that mistakes like loss of fonts etc are avoided. Do not forget to check if the page nos on the INDEX that you have entered actually match with the final docket 

10. One print and rest as colour photocopies saves money as opposed to all prints. Unless you get a deal otherwise from your printer.

11. Know how many copies you have to get made in advance and therefore how much it would cost you, cause most of the time by the time you are going to the printer the accounts department would have shut for the day. So get your advance money so that you are not stuck at the last minute. 

12. If the production house has a deal with the printer to be paid later, in such cases make sure you have kept a note of how many dockets and pages etc you have gotten printed, ideally sign a receipt at the printer mentioning the name of the project.

13. Make sure when the copies are getting bound that the binding material does not overlap any of the content on it. Try and use the same colour cover sheets on all dockets to maintain uniformity.

14. Know how long the entire process of printing takes, so that you are there at the printer much in advance not be late for the PPM. You could call and book some time in advance at the printers also asking that they would be open in case you are going to be done beyond closing time. 


 The more you work on it the better and faster you get. So all the best in making your docket and your director look good.




Auggieism:- What do you say when Auggie is crawling on 4's... . 
Ans:- Doggie..






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Thursday, July 2, 2009

SCREENPLAY

"Mama always said life was like a box of chocolates. You never know what you're gonna get." - Forrest Gump

SCREENPLAY



So what’s the difference between a script and a screenplay? Well actually not much, a screenplay could be your script but a script is not necessarily your screenplay. A script can be the written text for a play or radio or the basic start (rough draft) for the film. Screenplay on the other hand implies a greater emphasis on the visual aspects of film-making. After you have written your story its time you put it in screenplay format, which also may be called shooting script (at a later stage), if you have the software for it then it's easier as it imports some formats like word directly and converts it into the screenplay format, but if you don’t then here is some rules that make it the standard format, make sure your story is almost locked for henceforward changes can only lead to confusion especially if not followed properly.

BASIC FORMATTING

The font to be used is Courier in 12 point size. The way it's finally structured is usually one page equals one minute of screen time, which means if your screenplay goes up to 120 pages then your film would be 2 hours long. Knowing how long your film is going to be in advance helps in budgeting and also determining if you want a film that is so long or short. There are different things that constitute the screenplay’s layout. It is mainly broken up into two parts action and dialogues. Also part of it is scenes headings, transitions, parentheticals, etc.
Here is an example of a screenplay

 

SCENE AND PAGE NUMBERING

Now as we see from this example, your screenplay will have page numbers on the top and scenes are assigned numbers alongside the scene headers, a new number is assigned every time there is a new scene which usually when there is a location change or the day has changed. The scene numbers provide a convenient way for the various production departments to reference individual scenes. The page numbers on the top help when there are revisions and the production can replace you with the revised pages, for example pages 5, 7, 12, and 35. So the whole script has not to be reprinted as a new draft. These page numbers have to be locked after the first draft as that becomes the reference point for all departments. If the length of the new pages are longer then it moves into 35A, 35B, or if the scene is deleted and there is no other scene on that page then a fresh page of 35 with OMITTED is given so as to avoid confusion of a missing page at a later stage, the reason for also submitting only these revised pages is to avoid the different departments to rewrite all the handwritten notes all over again in the new draft.
Revision pages are distributed on colored paper, a different color for each set of revisions, with each changed line marked by an asterisk in the right margin of the page. The progression of colors varies from one production house to the next, a standard sequence would be: white, blue, pink, yellow, green, gold, salmon, cherry, white (this time is known as "double white"), and back to blue ("double blue"). Usually, before the start of the filming process, a final draft is given out with all scenes and pages renumbered. The other way to also do it especially if the coloured paper is not easily available is to keep an index at the end of the script and a note made each time the pages go through revision. 

Example
PAGE
DRAFT NO
5
2
7
2
12
3
35
3

It is best that scene and page numbers are maintained throughout because too many changes could lead to some departments missing out or overlooking some of the changes. When a numbered scene is split across pages, (CONTINUED) appears at the bottom of the prior page, and CONTINUED: appears at the top of the subsequent page.
Each new scene is numbered differently so that any part of the script can be referred to by their scene numbers, scenes which are broken up into an edit pattern so that it moves back and forth from locations continue to have the same scene number, like a phone conversation that cuts back and forth to 2 different people at different locations but is still the same scene, for shooting purposes these are sometimes numbered as 7a, 7b, 7c or 7.1, 7.2, 7.3 this usually depends on what is comfortable with the production house and assistant directors.

SCENE TITLES


Scene titles also known as slugs tells the reader that the story has changed in location or time. It tells the reader where and when the action appears and the line comprises three parts:

INT. or EXT. - is the scene an interior or exterior scene?
LOCATION - where does the action take place?
DAY or NIGHT - what is the time of day?

EXAMPLES
  • 11. EXT. MUMBAI MONTAGE – DAY
  • 12. INT. SHARMAS VILLA – NIGHT


ACTION AND DIALOGUES


Action is the part which usually follows the scene title, it is usually written in the present tense. This part tells the reader what is happening in the scene, at times it also includes camera movements, lighting pattern, or costume description, etc, The dialogue are the lines the characters speak. The name of the character is written in all caps followed by the dialogue

EXAMPLE
SHARMA
Mumbai logo ne aaj tak mumbai ko
kya diya..?? meine ye sab diya hai
Mumbai ko. Ye sab mera hai..

When the dialogue is split across more than one page then (MORE) or (CONT'D) appears below the portion of dialogue on the first page, the remaining dialogue is headed by the character's name, which is extended by cont’d e.g. SHARMA (CONT'D). Sometimes the character speaks continuously with action lines splitting the dialogues, for such situations parentheticals can be used in the subsequent speeches. Parentheticals are positioned the same as standard ones, below the character's name and indented from the dialogue. Some writers use (CONT'D) beside the character's name for dialogues that are split between action (the same as for dialogue split across pages). Many writers choose not to indicate consecutive dialogue at all.


There is lot more to know but with this much of knowledge one can easily write your first screenplay. So now that your screenplay is ready just remember one thing, if your story aint’ good, your wasting time on the screenplay’s technicalities is useless.





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Ans:- crockie..




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